Seeing the Unseeable

Physical Matters / by Maggie Wittlin /

The limits of our senses confront the limitlessness of the universe.

Within the confines of the ordinary, vision is the most reliable tool we have. But some of the most extraordinary parts of nature, those that lie at the frontiers of science, can’t be seen at all. Dark matter, for example, the invisible, mysterious material that makes up 22 percent of the stuff in the universe, is one of the great scientific unknowns, a substance nearly six times as abundant as ordinary matter but made up of fundamental particles we haven’t yet identified. And dark matter doesn’t emit light, it doesn’t reflect light, and it doesn’t absorb light. It’s not dark, as the name suggests—dark matter is completely, inherently unseeable.

While we are unable to see dark matter itself, we are able to create maps of it, pinpointing its location by observing the effects of its mass on light from distant galaxies. Einstein’s general theory of relativity predicts that a massive object will curve the fabric of space, and light will follow this deformed path. So we can look at how light from galaxies has been bent and infer the quantity and location of the matter that did the bending. An international team of astronomers recently used this method to create the first three-dimensional map of the large-scale structure of dark matter, and they released this blue and black image earlier this year.

In one sense, the image is categorically sublime. Scientists have taken something that cannot be seen, and they’ve let us see it. They’ve not only increased our knowledge of the large-scale structure of dark matter, they’ve also taken something inherently invisible and given it an accessible beauty. While we used to struggle to conceive of dark matter, using phrases like “pervasive stuff” and “ineffable material” to force it into the confines of language, we can now imagine it as a grand network with dense hubs and small offshoot islands.

But when we start to intuit dark matter rather than discuss it rigorously, we are in danger of imagining it as too much like ordinary matter. In fact, dark matter’s invisibility tells us that it has another remarkable attribute: Unlike normal matter, dark matter is not made up of charged particles. Maxwell’s equations, the four expressions at the heart of electromagnetism, tell us that moving charges can create electromagnetic radiation; they tell us that charge produces light. So because dark matter does not interact in any way with electromagnetic radiation, we can conclude that it is uncharged. This, in turn, implies that dark matter is nearly collisionless—individual particles don’t bounce off of one another or off of ordinary matter; almost all of them just pass through as if nothing were there. We are constantly being irradiated by the billions of dark matter particles that pass through our bodies every second, but these particles will never touch our flesh or our organs. Were we able to see dark matter, we would be justified in assuming we could interact with it. So when we look at an image and perceive dark matter as a seeable substance, we implicitly imbue it with a property it doesn’t have.

As people, we take in pictures with ease—absorbing visual information is, after all, our evolutionary specialty—but in any scientific case in which we see the unseeable, we sacrifice a little bit of understanding. To crib from Tolstoy, “All seeable things are alike; each unseeable thing is unseeable in its own way.” Visible objects are all composed of atoms that emit light within a certain frequency range; they’re all macroscopic; and they all exist in our three spatial dimensions. When scientists discover something invisible, the cause of its unseeability will inevitably be tied with what makes it exciting.

That an object is too small to be seen by the naked eye doesn’t tell us much about it, but when an object is so small that it cannot be precisely observed even in theory—when an object enters the realm of quantum mechanics—its unseeability is at the center of its nature. An object that is so small it obeys the laws of quantum mechanics (an electron in an atom, for example) can exist in many locations at one instant in time. But when we measure the location of the electron, when we look at it, it collapses into one spot. We cannot observe it in its natural state, and any image of an atom, from the oversimplified but popular solar system model to a computer-generated graphic of foggy orbitals, will be unable to fully capture this amazing idea that by seeing the electron, we change it.  General relativity demands that space itself curves in response to mass. We allow ourselves to picture a ball sitting on a rubber sheet, deforming it with a depression, but in reality, this deformation doesn’t happen in one preferred direction; it happens uniformly in all directions, and this is impossible to construct in our mind’s eye.

When science presents us with an image of dark matter, of electron orbitals, of general relativity, of anything fundamentally unseeable, it teases us. The visual draws us in with its incredible elegance; it lets us think for just a moment that the secrets of the universe are spread out before our eyes. And then, as we start to read the text that inevitably accompanies the picture, it hits us: Our eyes will never be as big as our science. Our visual system is the best source of intuitive information, the kind of stuff that we need to survive, but it gives us only a shadow of the greater world.

To see the unseeable is glorious and awe-inspiring, it’s disquieting and misleading, it makes us question our ability to understand the world and allows us to marvel at our ability to learn so much despite our limitations. And, in some way, it’s what we’ve been doing all along. Scientists and other curious people have always needed to turn unseeable phenomena into visuals. Experimentation is the art of prodding some invisible aspect of nature and turning its response into something we can see. Whether we watch two balls dropped from a tower hit the ground at the same time or observe flashes of light as an alpha particle is scattered off of a gold nucleus onto a screen, we bring the world to us, giving ourselves a simple image that lets us learn about a universe that doesn’t care whether or not we can understand it.

Originally published August 20, 2007

Tags

Share this Stumbleupon Reddit Email + More

Now on SEEDMAGAZINE.COM

  • Ideas

    I Tried Almost Everything Else

    John Rinn, snowboarder, skateboarder, and “genomic origamist,” on why we should dumpster-dive in our genomes and the inspiration of a middle-distance runner.

  • Ideas

    Going, Going, Gone

    The second most common element in the universe is increasingly rare on Earth—except, for now, in America.

  • Ideas

    Earth-like Planets Aren’t Rare

    Renowned planetary scientist James Kasting on the odds of finding another Earth-like planet and the power of science fiction.

The Seed Salon

Video: conversations with leading scientists and thinkers on fundamental issues and ideas at the edge of science and culture.

Are We Beyond the Two Cultures?

Video: Seed revisits the questions C.P. Snow raised about science and the humanities 50 years by asking six great thinkers, Where are we now?

Saved by Science

Audio slideshow: Justine Cooper's large-format photographs of the collections behind the walls of the American Museum of Natural History.

The Universe in 2009

In 2009, we are celebrating curiosity and creativity with a dynamic look at the very best ideas that give us reason for optimism.

Revolutionary Minds
The Interpreters

In this installment of Revolutionary Minds, five people who use the new tools of science to educate, illuminate, and engage.

The Seed Design Series

Leading scientists, designers, and architects on ideas like the personal genome, brain visualization, generative architecture, and collective design.

The Seed State of Science

Seed examines the radical changes within science itself by assessing the evolving role of scientists and the shifting dimensions of scientific practice.

A Place for Science

On the trail of the haunts, homes, and posts of knowledge, from the laboratory to the field.

Portfolio

Witness the science. Stunning photographic portfolios from the pages of Seed magazine.

SEEDMAGAZINE.COM by Seed Media Group. ©2005-2015 Seed Media Group LLC. All Rights Reserved.

Sites by Seed Media Group: Seed Media Group | ScienceBlogs | Research Blogging | SEEDMAGAZINE.COM